Publications

2012
Warren, Sarah. Mikhail Larionov and the Cultural Politics of Late Imperial Russia. Burlington, VT: Ashgate Press, 2012.
2011
Warren, Sarah. ""Contemplating the Void: Interventions in the Guggenheim Museum," Review of the Exhibition." Design and Culture 3, no. 2 (2011).
2010
Warren, Sarah. "Painting Beyond Sense: Mikhail Larionov’s Face-Painting Performances." In Theatricality and the Performative in the Long Nineteenth Century. University of Tampa, 2010.
Warren, Sarah. Russian and Soviet Views of Modern Western Art, by Ilia Dorontchenkov, Review In CAA Reviews., 2010.
2009
Warren, Sarah. "Liberating the Colony on the Neva: Italian Futurism and the Cultural Politics of the Late Russian Empire." In Futurismo/Futurizm. Yale University, 2009.
Warren, Sarah. "Excavating the ‘Icon Pompeii:’ Competing Narratives in the 1913 Exhibition of Ancient Russian Art." In Southern Conference on Slavic Studies. University of Virginia, 2009.
Warren, Sarah. "Crafting Nation: The Challenge to Russian Folk Art in 1913." Modernism/Modernity 16, no. 4 (2009): 743-765.
Warren, Sarah. "Rethinking Spirituality in Abstraction." In A History of Visual Culture. Berg Press, 2009.
2005
Warren, Sarah. "Crafting Nation: Avant-Garde Critiques of the Russian Imperial Craft Revival." In Association for the Advancement of Slavic Studies. Salt Lake City, 2005.
2003
Warren, Sarah. "Spent Gypsies and Fallen Venuses: Mikhail Larionov's Modernist Primitivism." Oxford Art Journal 2003, no. 2 (2003).